'And as for the “macho = homoerotic” thing, both in film and in general, well, let’s just chalk that up to the fact that at this moment in the history of our nation straight men have ceded everything but snarky T-shirts, Xbox 360, leet speek and the classic geek pear shape to the men of alternate sexualities. A good-looking man in text-free clothing, speaking about something other than the iPhone? Gay.'

  -- John Scalzi rescues a lost LJ post from the distant mists of 2007, presumably before the advent of the [NSFW] Guys with iPhones.

I'm going to tentatively claim this one (and the Slate piece purporting to explain "How macho movies get misread as homoerotic" that he's riffing off of) as further support for my theory that we're entering into a post-homoerotic landscape. It's one thing for straight men to protest that they don't see the supposed homoeroticism in, say, Point Blank or 300, or -- as the author of the Slate article does -- take pains to reject or refute a homoerotic subtext. Those are the familiar old-school moves, based on a classic contagion model of the homoerotic. And what are the traditional ways of dealing with contagion? Quarantine and isolation. Separate the healthy and the sick; minimize exposure risk; regard potential symptoms with a high index of suspicion; develop sensitive diagnostics and, ideally, vaccinations. Because everyone's potentially susceptible.

And that's why the Slate author comes across as either old-fashioned or juvenile. Dude, chill out! When you protest, in defense of straight men taking pleasure in narcissistic identification with the "hot, sweaty men" of 300, "Shouldn't a guy be able to do such a thing without being called gay?" -- you're fighting last century's battles (and over a film set in 480 B.C., no less). I certainly wouldn't say that nobody cares anymore, but let's face it, vast swaths of culture and society have moved on. Retro, unironic avowals of heterosexuality? Not hip, not hot. Sure, "no homo" still has currency, but also inevitably oscillates between "straightforward" ritual disclaimer and ironic performativity. (Conversely, people quite earnestly and sincerely profess that when they say, "That's so gay!" they really, really don't mean that kind of gay because they're totally cool with that stuff and homophobia is, like, so lame.)

These days, no self-respecting straight man would protest the homoerotic too much -- at least, not with a straight face. Over the last decade or so -- marked at its outset by the launch of Viagra, and culminating in the ascendancy of Judd Apatow -- straight men all over the country have embraced the possibilities of a masculine heterosexual insecurity all but completely decoupled from the 20th century spectre of contagious gayness and sexual orientation misattribution.

So nowadays, the fight has shifted to cultural status. These men have learned to relax and love the gay, but that doesn't necessarily mean they support same-sex marriage or gays in the military. When Scalzi cites "the present heterosexual male abdication of anything more culturally, emotionally and intellectually resonant than 'Dick in a Box'", do we mourn, celebrate, shrug, or roll our eyes? If the global economic meltdown is accelerating the Death of Macho, will sexual orientation as well as gender determine the respective winners and losers of this world-historical process? But hey, that's politics -- in the meantime, we can all go laugh together at Brüno, right?

I love, love John/Cameron vids -- they're my catnip, or Kryptonite, or something. They don't even have to be particularly good vids --  I'll still get hooked within the first few clips.

And yet! I don't ship them, at all. And, okay, I'm generally a total failure as a shipper*. But if anything, I anti-ship John/Cameron; I very much DO NOT WANT a human boy/robot girl love story from SCC, either in canon or in fic**.

So why, why I ask you, am I so drawn to these shippy vids?

(Also where is my SYTYCD torrent? I'm convinced that "The Scene" hates dancing. Or Mary Murphy.)

* I am at best pro-"I like how these two characters interact with each other, I want to see more, but it doesn't matter if they end up together or linger in UST or decide they'll just be friends or have a messy breakup as long as they keep having interesting scenes together." For example, one of my un-ships lately is Victor & Niki on The Young and the Restless: they've been married & divorced multiple times dating back nearly three decades from what I gather, now divorced and engaged to other people; they share children and grandchildren; and they have a very messy, complicated relationship as exes filled with tenderness, anger, regret, resentment, attraction, and mistrust. Their scenes together are fantastic.

** I am however perfectly okay with "Cameron exploits John's sexuality to manipulate him, or just figure out how it works" as long as it doesn't actually result in anything romantically or sexually.