crypto: Amy Pond (Default)
crypto ([personal profile] crypto) wrote2009-05-13 09:03 pm
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K/S, then and now: nature or nurture?

I'd been idly speculating about how long I could keep my journal a Star Trek XI-free zone, sort of like when you see how long you can hold your breath. And then I saw [personal profile] laurashapiro 's post linking to an SF Chronicle piece celebrating not the slashiness but rather the bromance of Kirk and Spock, and it got me thinking.

Here's my question:

Did the new movie's Kirk and Spock simply inherit the original series' slashiness as part of Star Trek's DNA, so that they don't even need to generate their own subtext or UST and can just live off of the legacy of the original characters' aura, like the slash pairing version of a trust fund kid?

Or did Chris Pine's Kirk and Zachary Quinto's Spock go out and earn their slashiness the old-fashioned way, refusing to ride on the slashy coattails of Shatner & Nimoy?

Maybe a little of each? Or do you see the slashiness of Pine!Kirk and Quinto!Spock as different than that of Shatner!Kirk and Nimoy!Spock -- a K/S 2.0, maybe?

I'm asking because I can't tell -- I don't actually remember whether there was any dialogue, any moments, any lingering glances or "weird about each other"-ness between Kirk and Spock that an ST:TOS-naive baby slasher or proto-slasher would pick up on if they were discovering slash for the first time.

Though hey, who knows what goes on with kids these days! Maybe slashiness itself is just different now than it was 40 years ago?
par_avion: collage of intl air mail stickers (Default)

[personal profile] par_avion 2009-05-14 01:34 am (UTC)(link)
I thought there was more chemistry between Kirk/McCoy (and even Kirk/Sulu) than Kirk/Spock in STXI. Kirk and Spock spend a lot of the movie apart from each other.

Although Spock Prime is *totally* being a Yenta: clearly he ships Spock/Kirk. I expect there will be more in the sequels?
laurashapiro: a woman sits at a kitchen table reading a book, cup of tea in hand. Table has a sliced apple and teapot. A cat looks on. (Default)

[personal profile] laurashapiro 2009-05-14 07:47 pm (UTC)(link)
IAWTC.

Although I think the movie ended in a place where the chemistry was starting to be there, because the last few scenes showed body language and speech patterns that were so obviously nicked from TOS.

But for the majority of the movie, I didn't see K/S at all -- and I have to assume the relationship between Spock and Uhura, which has evidently been going on for some time and is seems meant to outlast the film, is part of that.
princessofgeeks: Shane and Ilya looking at each other in the living room of the cottage (Default)

[personal profile] princessofgeeks 2009-05-14 01:59 am (UTC)(link)
i would love to know the answer to these questions and will be watching the thread. i don't have the k/s cred to answer them myself.

i see the slash in trek new and old as subtext -- as a possible cloud of interpretation that is not really the main focus of the show. but that may be my approach to trek, which is not primarily as a slasher the way I am about TS or SG-1. there are so many legitimate approaches to canon.

i am soooo in "default to slash goggles mode", but I didn't see the K/S UST in the new movie. I saw it as POTENTIAL, that it could so develop the more they got to know each other.

but i agree with henry jenkins' post that this movie probably made a misstep when it neatly packaged spock's character straight up for us and destroyed all his mystery. but maybe we were ready for that; maybe after 40 years of spock we've plumbed his mystery, so having that all "cut to the chase" for us in the reboot was a foregone conclusion.

my main issue with the new movie is that pine's kirk verges on OMG TEEN SPEAK; he's not shatner's kirk and that is a GOOD THING, but he's so young, and young not in 1964 young but young in 2009 young (transmogrified to the 23rd century, of course.... the movie does NOT have a future vibe. it has a TODAY vibe. which is kind of a shame, but unavoidable, i think.)

pine almost made me wince once or twice but he backed off from the edge with the Young Guy vibe.

But his essential purity, his driven-ness, his arrogance, was all there. his fearlessness was what abrams focused on, which I think is so canon.

but i didn't immediately leap to slashing them.

i am fine with spock/uhura and want to know more about the possible canonical underpinnings of that choice.

but the spock/kirk in the reboot is going to have to be earned, for me.

but again: I'm not a true fan of this fandom. I've been on the edges of it all my life, but this movie made me not want to slash or write fanfic for it, but to explore the TOS fanfic back list. which is gimongous. I want to write classic trek today, myself. THAT Kirk/Spock, today.

thanks for the post.
princessofgeeks: Shane and Ilya looking at each other in the living room of the cottage (Default)

[personal profile] princessofgeeks 2009-05-14 02:28 am (UTC)(link)
I disagree with you -- I thought Quinto nailed it. I did not see any disconnect between his spock and SPOCK. Which is so amazing. so very very amazing.

Pine was not Shatner, but there were tons of shoutouts to Shatner.

It was a patchwork of difference with the characterizations of the team -- held together by the production design. an amazing achievement.

but i'm still all OMG NO about them choosing to destroy Vulcan. That was, pardon the expression, overkill IMHO.

love your posts.
musesfool: angel & cordy (i know you are but what am i)

[personal profile] musesfool 2009-05-14 02:01 am (UTC)(link)
Well, aside from Spock Prime's matchmaking, Spock and Kirk have the typical rom com "they can't stand each other! they're totally going to learn to appreciate each other and end up together!" thing going on.
giandujakiss: (Default)

[personal profile] giandujakiss 2009-05-14 02:14 am (UTC)(link)
That's pretty much how it was described in the NYT review:
n the tradition of many great romances, the two men take almost an instant dislike to each other, an antagonism that literalizes the Western divide between the mind (Spock) and body (Kirk) that gives the story emotional and dramatic force as well as some generous laughs.
musesfool: eucalyptus by stephen meyers (we'll go where eagles dare)

[personal profile] musesfool 2009-05-14 02:27 am (UTC)(link)
Exactly. I don't even ship them (in either incarnation), but it's definitely a launching point if people want to.
musesfool: eucalyptus by stephen meyers (we've come to hug)

[personal profile] musesfool 2009-05-14 02:30 am (UTC)(link)
They didn't really strike me as siblingy, though I suppose it could be read that way, if you look at Pike as the 'dad' in the equation. It really did strike me as rom-commy though. There's the Kirk/McCoy BFF-ness, which should also launch some shipping, and of course, the lovely canon het of Spock/Uhura (and the inevitable Spock/Uhura/Kirk).
princessofgeeks: Shane and Ilya looking at each other in the living room of the cottage (Default)

[personal profile] princessofgeeks 2009-05-14 12:43 pm (UTC)(link)
ooo grabbyhandsmine

[personal profile] karmageddon 2009-05-14 03:21 am (UTC)(link)
Love your posts; fascinating question.


I don't know the first thing about TOS, except what's just defused into in US culture--I came into STXI with high slashy expectations for Kirk/Spock and was very disappointed. Kirk/McCoy and Kirk/Sulu had more going on. Pine!Kirk had a lot of chemistry with everyone, but like the above poster said, they were apart for a lot of it! And the whole Uhura thing. If I ran the world, Chekov would have been a woman and they would have had a 'two smart women on the top of their games' femslashy vibe going on, but alas.

I can't think of a way slashiness would be different in the past.
princessofgeeks: Shane and Ilya looking at each other in the living room of the cottage (Default)

[personal profile] princessofgeeks 2009-05-14 12:45 pm (UTC)(link)
this re the less subtexty. because of the change in the mainstream culture irt homosexuality.

a lot of stuff that stayed hidden in the writer, the text and the culture is now truly discussable. it's on the table.