Ethics and preservation in the US government (AKA fuck the NYTimes)
( a wordy discussion about how you would actually accept private money to do a project affecting a public building )
Seen in a few places, but most recently via
senmut
How many letters of the alphabet have you used for starting a fic title? One fic per line, ‘A’ and 'The’ do not count for 'a’ and ’t’. Post your score out of 26 at the end, along with your total fic count.
A - Accented Interest (Stargate: SG1)
B - B'Minga (Star Trek: TNG)
C - Cadence (Star Trek: TNG)
D - Dah Vokaya (Star Trek: Expanded Universe)
E - Elephant Jokes (the only slightly evil remix) (Stargate: SG1)
F - f'(x) (MCU)
G - get your swagger on (MCU)
H - Hafayat (Star Trek: Expanded Universe)
I - Illusory Reality (Star Trek: TOS/Vulcans Glory)
J - nada
K - Kal'i'farr heh T'naehm (Star Trek: Expanded Universe)
L - Laid Bare (Star Trek: TNG)
M - Masu-kastra (Star Trek: Expanded Universe)
N - Nailed My Faith to the Sticking Pole (Stargate SG1)
O - Of Quadruple Weddings and All You Can Eat Seafood (Stargate SG1)
P - Pessum (Star Trek: TNG)
Q - Quality Time (Star Trek: TNG)
R - Reciprocity of Care (Star Trek: TNG)
S - Safe Landing (Key Largo)
T - Tea and Company (Sherlock Holmes)
U - Unconventional Courtship (DCU)
V - Vaunah (Star Trek: Expanded Universe)
W - Waiting Game (Star Trek: TOS)
X - XFVCU 1x07 : Prism (X-Files)
Y - Yel-nel-dath (Star Trek: Expanded Universe)
Z - Z is for Zenith (Stargate: SG1)
25/26, although "X" squeaked by on a bit of a technicality. I've currently got 198 stories posted on AO3. I've also written in more fandoms than this list would suggest. I sorted in alphabetical order and grabbed the first one I saw for each letter, but for whatever Star Trek got heavily weighted. I have written a lot of Star Trek, but I don't think it makes up half of all of the stories I've written so. Huh.
Good morning, afternoon, and evening!
We're doing some database and other light server maintenance this weekend (upgrading the version of MySQL we use in particular, but also probably doing some CDN work.)
I expect all of this to be pretty invisible except for some small "couple of minute" blips as we switch between machines, but there's a chance you will notice something untoward. I'll keep an eye on comments as per usual.
Ta for now!
Chess is a show I know entirely through the cast recordings; if I recall correctly, it was such a thoroughly Cold War project that the liner notes referred to the two chess players as only "the American" and "the Russian". The new book by Danny Strong turns it into a (even more) melodramatic period piece, with the chess matches not simply a allegory for political tensions or a way of obtaining minor diplomatic concessions but tools for averting World War III. The Arbiter is dragooned as a narrator, who exposits both the global situation and the personal interactions with the characters, partly through a series of very bad and very obvious jokes.
Freddie Trumper, American grandmaster and obnoxious wunderkind, is challenged by Anatoly Sergievesky, mordant, depressed, and engaged in a clandestine flirtation with Freddie's chess second and lover, Florence Vassy. Freddie is notoriously a weak point in the original book, so prone to anti-Communist slurs, misogyny, and temper tantrums it is impossible to extend him much sympathy. The new version mitigates this by giving him bipolar disorder and medical noncompliance, and also by casting Aaron Tveit. Tveit is indeed so good and so charismatic that I was on Freddie's side way more than I expected, although not enough to take self-pity anthem "Pity the Child" seriously. (The rest of the audience seemed less skeptical.) Lea Michele as Florence is just as strong vocally, and almost as strong in terms of acting, though unfortunately without much romantic chemistry with either partner. (The closest any scene comes to a sexual charge is Freddie's sleazy half-assed attempt at persuading Anatoly to throw the game in Act II.) Nicholas Christopher as Anatoly is the weak point in Act I, where I had the same opinion as I had of his Sweeney Todd: he's got the potential to be great, but he isn't quite there yet. He really needs to work on his emoting, which is too flat even for the murderous Sweeney or the dour Anatoly. He is greatly handicapped in Chess by having to affect a Russian accent, which I really hope the production drops. But! He pulled out all stops in Act II, both for the songs and the acting, and won me over with his intensity and vocal power.
So basically: the book is still flawed and they need to cut the runtime, particularly in Act I. This was the second night of previews, so there's still time for changes before the show technically "opens". If we're lucky, they'll start by cutting the topical jokes.
But the point of Chess has never been the book; it is the score full of bangers and power ballads. The music is by ABBA's Benny Andersson and Björn Ulvaeus and the lyrics by Ulvaeus and Tim Rice. And the musical performances are GREAT. I am still guiltily fond of the kinda-no-really-very-racist "One Night in Bangkok" (which can plausibly be explained as Freddie's typical white guy take on the city) and which in this production is a camp masterpiece. I am seriously tempted to see the show again just for that.
My dear writer, hello! Thank you for writing for me, and for having a bang-up taste in canons. I'm listing a mix of likes and prompts for my requests, but honestly, mostly I'm looking forward to your delight in the story you want to tell - go wild, and happy tide <3
For the reference, I'm egelantier and
egelantier. Also for the reference: I'm definitely open to treats!
Abishag Shaw, Livia Levesque
I deeply enjoy Shaw and his aw-shucks schtick and his deadly competence and his understated but deep loyalty to Ben and his family, and how carefully and mindfully and wholeheartedly he's ready to step over the racial divide between them. He's an unutterably lonely character, without roots or family of community of his own, and while he can't quite join Ben's, it's pretty obvious that they're one of the main sources of light in his life. Also he hurts very prettily and I love it for him.
And on the other side there's Livia, a deeply horrible woman who also was so deeply horribly done by you can't help but see where she's coming from - and I imagine she's lonely, too, after a lifetime of one selfish choice after another, all taken in the search of that elusive safety... She keeps shoring her walls up, and I think she nevertheless knows very well that's she might be building on the time. She fascinates me! And one got to admit, if you don't have to, like, deal with her, mama Levesque just slaps as a character, and her wit and her memory are sharp and awesome.
So. Those two probably won't be caught dead in one room together in a normal situation... but there's got to be something that will get them working as a team - most likely really bad danger to Ben, or maybe a mystery so tasty to Livia that she can't pass up the chance to get into it. (Ben can be an entirely offscreen character if needed, or play a vital part). Or something else! They're going to be the worst team ever, but also they're going to be an absolutely terrifying unstoppable force if they work in tandem. Yes please.
Kiem Tegnar
Look, I just really like Kiem. He reminds me of Freddy from Heyer's Cotillion - not necessarily the smartest person in any room, but his EQ is par excellence and his kindness is all the charts. I love that he's kind despite pretty much nothing in his upbringing or surroundings wants him to be kind, I love that he's Determined and Brave and Decent without getting on a high horse about it, I love that he's so invested into treating people around him like people, and that it never occurs to him to use or abuse. I love that he's been exiled to a monastery, and that he's a world-class meditator! And I sense that underneath all that healthy altruism his self-esteem issues run as deep and as complicated as Jainan's are, if maybe in a different direction.
So! Give me post-canon Kiem please, give me him finding his legs, or Jainan learning more about him as their marriage grows, or Jainan and Bel teaming up for some Kiem-centric issue. Or just some good old whump. Or Kiem dealing with his job or his charities or with politics, and slowly learning to be consciously unstoppable about it. Give him a chance to discover himself competent and complicated, and let me revel in it.
Gideon Ware, Adolphus "Gilly" Ware
Your honor, those guys are in love! I love that Foundling is essentially a bildungsroman instead of a standard romance, and I love that Gilly goes on to have his big adventure, and Gideon has the faith in him to let him handle it - up to a point where Gilly does need his help, and then he drops everything and rushes to his rescue. I love the undercurrent of tension relating to titles/inheritance issues, and how Gideon's own father shortly suspects him of killing Gilly for the title... and how much it makes Gideon angry. I love how Gideon is slow and methodical and Gilly is kind and bright and yet surprisingly competent, and I imagine they share a pretty wicked sense of humor between them.
So... give me more! Post-canon, getting together, figuring it out, more Shenanigans, mutual rescues; fantasy AU (Gilly as a prince in trouble and Gideon as his heir apparent? fleeing from the coup? hm); all kinds of AUs, actually, i think it's interesting how this tension might play out in a different setting. Or, yes, some good fashioned whump. For one of them or for both of them! Let Gilly see how much Gideon cares, let Gideon has a front row seats to how unhinged Gilly can be when he's putting his back into it. Let them have some high-stakes fun.
Kim Suho | Lloyd Frontera, Javier Asrahan, Alicia Magentano
Okay, so I adore how off the wall insane Kim Suho is, and yet how competent, and how both Javier and Alicia are so so so into it, at this point without reserve or holding back - all the while being open to how ridiculous his antics are. I love the complete lack of hinges in this trio, on all sides, and I love the tension between all that devotion and excitement flying in all directions... All the while Kim Suho keeps laughably underestimating how important he is to both Javier and Alicia, how much they're willing to do for him, and how much they love him. He's still stuck in his self-image of an impostor, and I think he's on some level pretty sure his value is solely in his use, for all his bluster and self-aggrandizement, and that's like catnip to me.
So! I'm caught up to the current state of canon and while canon-wise it's interesting, I just want like... see Alicia put a ring on it, and of course get Javier on board, and then see how poor Kim Suho manages to be a king-consort and how much insanity it will wrought and whether or not Alicia and Javier combined can hammer into his head that no, he IS loved and appreciated and seen. Even when he's not trying to work himself to death trying to fix yet another Situation (on a more serious note, I'm super intrigued by the idea of him laid low and unable to do shit - we know from canon that he self-isolates when depressive, and self-isolates in general, but what if they won't let him?).
Anyway. Yes. Whump is a plus, construction nerdery is a plus, administrivia is a plus, Alicia imparting some of the relationship wisdom with a healthy dose of BDSM is beyond a plus.
Bashasa Calis, Kaiisteron
This pairing (romantic or platonic) essentially contains everything I love in a nice fictional relationship in a single package: overcompetence, utter devotion, mutual protectiveness and care, Kai imprinting on Bashasa for that first real spark of hope and then just never ever letting go, Bashasa taking constant and personal care of Kai - both his well-being and his dignity (I think the moment when Kai went from 'oh cool' to 'oh no I'm done for' was when he realized Bashasa made sure to take Enna's body from the Summer Halls.)
And on the other hand there's this undercurrent of tension with Bashasa's alcoholic coping strategies, and constant inability to truly protect each other - either from the war they're waging or from the complexities of establishing the peace afterward; and, of course, Kai having to see Bashasa grow old and die...
Anyway yes. Canon is tantalizing but there's just not enough of those two! Gimme skirmishes, gimme politicking and cultural shock, gimme epistolary bewilderment and outside POV of their contemporaries, gimme mutual hurt/comfort, gimme on-the-run-together, give me them giving some bodily, worshipful care to each other, just really dig into it. Raising Bashat together, doing the whole immortal-mortal family thing, teaching each other. Any other character is welcome in the mix (aside from Zeide and Tehren I'm tickled pink by Kai's cadre and the sheer concept of it, I love them, give me them). I'm done with both books, so post-canon, mid-canon, sideways from the canon, all is good for me. Divergence or fusion AUs are fun too (they would do really well in a nice old-school slavefic or an arranged marriage fic, you know?)
And that's it! Thank you for writing for me, and I hope you enjoy yourself; I can't wait.
